http://www.boxer-recordings.com Boxer Recordings Wed, 10 Mar 2010 10:10:23 +0100 mir en Audio Blogs Boxer Recordings info@boxer-recordings.com http://boxer-recordings.com/releases.php?release=126 Sat, 30 Jan 2010 11:32:09 +0100 info@boxer-recordings.de Boxer #078 - BRING ME THE MOON Music is always hard to describe. When people try to profile a beat, they often invent the most far-off comparisons. But not Matzak: he is one of the few artists who always find the appropriate metaphor. The smart Frenchman and full-time professional pharmacist knows best about the alchemy of an eclectic combination, and the well-balanced mix of the necessary ingredients.His openhearted and inviting debut album “Life Beginnings” released on Boxer Recordings was a kind of ‘omnium gatherum’ he skilfully combined with a most appealing result. And in his new release “Bring Me The Moon”, Matzak applies a far more broader spectrum: he makes the sounds literally breathe, and gives each track its very own, individual pace with alternating straight and broken beats, smooth, delicious melodies and perfect bass lines. In other words: marvellous swinging sounds for your body and mind. The opener of the album “On The Sofa” starts with a fitness-clubbish bass. Sometimes it pretends to be the illegitimate grandson of the Beasty Boys, sometimes to be Moloko’s secret twin-sister. And without feeling guilty, Matzak even turns the radio on in order to entertain the first guests, and Californian singer Tori adds a few superbly placed vocal lines, and ready is the finest melange.But instead of getting stuck and well-fed at the foyer, “Unpredictable Sunday” and “Disco Mobster” start boarding the main floor. Rolling strings and a fresh monster bass are the first signs of a deep euphoria (both tracks would normally represent the start – and often at the same time the end – of a career).So, now it would be the right time for moving up a gear, or at least for going for some tears. Matzak however slows down, and starts all over again in a completely different way. “In the Jazz Garden” with its virtuoso piano comes along in a rather innocent way at first, and pretends to be a downbeat track. But the supposedly stopgaps quickly turns out to be a fully elaborated track that leaves the beaten tracks aside.Matzak enriches the romantically rainy „Argos“, and the precisely funky title track „Bring Me The Moon“ with so many vitamins that in the end, the listener is convinced that he has discovered a long-lost DJ-Shadow song. But apart from the nicely pastel coloured atmospheres, Matzak never forgets the floor: with „Stockholm 1973 Rework“, a vivid vocal song, or „Magneto“, a funky-stumbling track, he presents two stunning draft versions of what might become the best club tunes ever. You sometimes won’t believe your ears when you listen to this wealth of ideas. But why this vivid discussion does not end up in a private conversation, and how the flow manages to turn this album into a fantastic whole will always remain the pharmacist’s little secret. It has to run in your blood to play yourself into the people’s hearts and legs, you cannot learn it. This music is hard to describe, you must listen to it. And we are very grateful for that.Maybe you can compare it to the feeling of barbs drilled into the dancer’s flesh.But undoubtedly, „Bring Me The Moon“ the title track of this new album will be as easy to remember as Erle/Royksopp (and finally a perfect track to mix it with). http://boxer-recordings.com/releases.php?release=126&t=390 Boxer #078 - BRING ME THE MOON Music is always hard to describe. When people try to profile a beat, they often invent the most far-off comparisons. But not Matzak: he is one of the few artists who always find the appropriate metaphor. The smart Frenchman and full-time professional pharmacist knows best about the alchemy of an eclectic combination, and the well-balanced mix of the necessary ingredients.His openhearted and inviting debut album “Life Beginnings” released on Boxer Recordings was a kind of ‘omnium gatherum’ he skilfully combined with a most appealing result. And in his new release “Bring Me The Moon”, Matzak applies a far more broader spectrum: he makes the sounds literally breathe, and gives each track its very own, individual pace with alternating straight and broken beats, smooth, delicious melodies and perfect bass lines. In other words: marvellous swinging sounds for your body and mind. The opener of the album “On The Sofa” starts with a fitness-clubbish bass. Sometimes it pretends to be the illegitimate grandson of the Beasty Boys, sometimes to be Moloko’s secret twin-sister. And without feeling guilty, Matzak even turns the radio on in order to entertain the first guests, and Californian singer Tori adds a few superbly placed vocal lines, and ready is the finest melange.But instead of getting stuck and well-fed at the foyer, “Unpredictable Sunday” and “Disco Mobster” start boarding the main floor. Rolling strings and a fresh monster bass are the first signs of a deep euphoria (both tracks would normally represent the start – and often at the same time the end – of a career).So, now it would be the right time for moving up a gear, or at least for going for some tears. Matzak however slows down, and starts all over again in a completely different way. “In the Jazz Garden” with its virtuoso piano comes along in a rather innocent way at first, and pretends to be a downbeat track. But the supposedly stopgaps quickly turns out to be a fully elaborated track that leaves the beaten tracks aside.Matzak enriches the romantically rainy „Argos“, and the precisely funky title track „Bring Me The Moon“ with so many vitamins that in the end, the listener is convinced that he has discovered a long-lost DJ-Shadow song. But apart from the nicely pastel coloured atmospheres, Matzak never forgets the floor: with „Stockholm 1973 Rework“, a vivid vocal song, or „Magneto“, a funky-stumbling track, he presents two stunning draft versions of what might become the best club tunes ever. You sometimes won’t believe your ears when you listen to this wealth of ideas. But why this vivid discussion does not end up in a private conversation, and how the flow manages to turn this album into a fantastic whole will always remain the pharmacist’s little secret. It has to run in your blood to play yourself into the people’s hearts and legs, you cannot learn it. This music is hard to describe, you must listen to it. And we are very grateful for that.Maybe you can compare it to the feeling of barbs drilled into the dancer’s flesh.But undoubtedly, „Bring Me The Moon“ the title track of this new album will be as easy to remember as Erle/Royksopp (and finally a perfect track to mix it with). http://boxer-recordings.com/releases.php?release=126 Sat, 30 Jan 2010 11:29:37 +0100 info@boxer-recordings.de Boxer #078 - BRING ME THE MOON Music is always hard to describe. When people try to profile a beat, they often invent the most far-off comparisons. But not Matzak: he is one of the few artists who always find the appropriate metaphor. The smart Frenchman and full-time professional pharmacist knows best about the alchemy of an eclectic combination, and the well-balanced mix of the necessary ingredients.His openhearted and inviting debut album “Life Beginnings” released on Boxer Recordings was a kind of ‘omnium gatherum’ he skilfully combined with a most appealing result. And in his new release “Bring Me The Moon”, Matzak applies a far more broader spectrum: he makes the sounds literally breathe, and gives each track its very own, individual pace with alternating straight and broken beats, smooth, delicious melodies and perfect bass lines. In other words: marvellous swinging sounds for your body and mind. The opener of the album “On The Sofa” starts with a fitness-clubbish bass. Sometimes it pretends to be the illegitimate grandson of the Beasty Boys, sometimes to be Moloko’s secret twin-sister. And without feeling guilty, Matzak even turns the radio on in order to entertain the first guests, and Californian singer Tori adds a few superbly placed vocal lines, and ready is the finest melange.But instead of getting stuck and well-fed at the foyer, “Unpredictable Sunday” and “Disco Mobster” start boarding the main floor. Rolling strings and a fresh monster bass are the first signs of a deep euphoria (both tracks would normally represent the start – and often at the same time the end – of a career).So, now it would be the right time for moving up a gear, or at least for going for some tears. Matzak however slows down, and starts all over again in a completely different way. “In the Jazz Garden” with its virtuoso piano comes along in a rather innocent way at first, and pretends to be a downbeat track. But the supposedly stopgaps quickly turns out to be a fully elaborated track that leaves the beaten tracks aside.Matzak enriches the romantically rainy „Argos“, and the precisely funky title track „Bring Me The Moon“ with so many vitamins that in the end, the listener is convinced that he has discovered a long-lost DJ-Shadow song. But apart from the nicely pastel coloured atmospheres, Matzak never forgets the floor: with „Stockholm 1973 Rework“, a vivid vocal song, or „Magneto“, a funky-stumbling track, he presents two stunning draft versions of what might become the best club tunes ever. You sometimes won’t believe your ears when you listen to this wealth of ideas. But why this vivid discussion does not end up in a private conversation, and how the flow manages to turn this album into a fantastic whole will always remain the pharmacist’s little secret. It has to run in your blood to play yourself into the people’s hearts and legs, you cannot learn it. This music is hard to describe, you must listen to it. And we are very grateful for that.Maybe you can compare it to the feeling of barbs drilled into the dancer’s flesh.But undoubtedly, „Bring Me The Moon“ the title track of this new album will be as easy to remember as Erle/Royksopp (and finally a perfect track to mix it with). http://boxer-recordings.com/releases.php?release=126&t=389 Boxer #078 - BRING ME THE MOON Music is always hard to describe. When people try to profile a beat, they often invent the most far-off comparisons. But not Matzak: he is one of the few artists who always find the appropriate metaphor. The smart Frenchman and full-time professional pharmacist knows best about the alchemy of an eclectic combination, and the well-balanced mix of the necessary ingredients.His openhearted and inviting debut album “Life Beginnings” released on Boxer Recordings was a kind of ‘omnium gatherum’ he skilfully combined with a most appealing result. And in his new release “Bring Me The Moon”, Matzak applies a far more broader spectrum: he makes the sounds literally breathe, and gives each track its very own, individual pace with alternating straight and broken beats, smooth, delicious melodies and perfect bass lines. In other words: marvellous swinging sounds for your body and mind. The opener of the album “On The Sofa” starts with a fitness-clubbish bass. Sometimes it pretends to be the illegitimate grandson of the Beasty Boys, sometimes to be Moloko’s secret twin-sister. And without feeling guilty, Matzak even turns the radio on in order to entertain the first guests, and Californian singer Tori adds a few superbly placed vocal lines, and ready is the finest melange.But instead of getting stuck and well-fed at the foyer, “Unpredictable Sunday” and “Disco Mobster” start boarding the main floor. Rolling strings and a fresh monster bass are the first signs of a deep euphoria (both tracks would normally represent the start – and often at the same time the end – of a career).So, now it would be the right time for moving up a gear, or at least for going for some tears. Matzak however slows down, and starts all over again in a completely different way. “In the Jazz Garden” with its virtuoso piano comes along in a rather innocent way at first, and pretends to be a downbeat track. But the supposedly stopgaps quickly turns out to be a fully elaborated track that leaves the beaten tracks aside.Matzak enriches the romantically rainy „Argos“, and the precisely funky title track „Bring Me The Moon“ with so many vitamins that in the end, the listener is convinced that he has discovered a long-lost DJ-Shadow song. But apart from the nicely pastel coloured atmospheres, Matzak never forgets the floor: with „Stockholm 1973 Rework“, a vivid vocal song, or „Magneto“, a funky-stumbling track, he presents two stunning draft versions of what might become the best club tunes ever. You sometimes won’t believe your ears when you listen to this wealth of ideas. But why this vivid discussion does not end up in a private conversation, and how the flow manages to turn this album into a fantastic whole will always remain the pharmacist’s little secret. It has to run in your blood to play yourself into the people’s hearts and legs, you cannot learn it. This music is hard to describe, you must listen to it. And we are very grateful for that.Maybe you can compare it to the feeling of barbs drilled into the dancer’s flesh.But undoubtedly, „Bring Me The Moon“ the title track of this new album will be as easy to remember as Erle/Royksopp (and finally a perfect track to mix it with). http://boxer-recordings.com/releases.php?release=126 Sat, 30 Jan 2010 11:27:07 +0100 info@boxer-recordings.de Boxer #078 - BRING ME THE MOON Music is always hard to describe. When people try to profile a beat, they often invent the most far-off comparisons. But not Matzak: he is one of the few artists who always find the appropriate metaphor. The smart Frenchman and full-time professional pharmacist knows best about the alchemy of an eclectic combination, and the well-balanced mix of the necessary ingredients.His openhearted and inviting debut album “Life Beginnings” released on Boxer Recordings was a kind of ‘omnium gatherum’ he skilfully combined with a most appealing result. And in his new release “Bring Me The Moon”, Matzak applies a far more broader spectrum: he makes the sounds literally breathe, and gives each track its very own, individual pace with alternating straight and broken beats, smooth, delicious melodies and perfect bass lines. In other words: marvellous swinging sounds for your body and mind. The opener of the album “On The Sofa” starts with a fitness-clubbish bass. Sometimes it pretends to be the illegitimate grandson of the Beasty Boys, sometimes to be Moloko’s secret twin-sister. And without feeling guilty, Matzak even turns the radio on in order to entertain the first guests, and Californian singer Tori adds a few superbly placed vocal lines, and ready is the finest melange.But instead of getting stuck and well-fed at the foyer, “Unpredictable Sunday” and “Disco Mobster” start boarding the main floor. Rolling strings and a fresh monster bass are the first signs of a deep euphoria (both tracks would normally represent the start – and often at the same time the end – of a career).So, now it would be the right time for moving up a gear, or at least for going for some tears. Matzak however slows down, and starts all over again in a completely different way. “In the Jazz Garden” with its virtuoso piano comes along in a rather innocent way at first, and pretends to be a downbeat track. But the supposedly stopgaps quickly turns out to be a fully elaborated track that leaves the beaten tracks aside.Matzak enriches the romantically rainy „Argos“, and the precisely funky title track „Bring Me The Moon“ with so many vitamins that in the end, the listener is convinced that he has discovered a long-lost DJ-Shadow song. But apart from the nicely pastel coloured atmospheres, Matzak never forgets the floor: with „Stockholm 1973 Rework“, a vivid vocal song, or „Magneto“, a funky-stumbling track, he presents two stunning draft versions of what might become the best club tunes ever. You sometimes won’t believe your ears when you listen to this wealth of ideas. But why this vivid discussion does not end up in a private conversation, and how the flow manages to turn this album into a fantastic whole will always remain the pharmacist’s little secret. It has to run in your blood to play yourself into the people’s hearts and legs, you cannot learn it. This music is hard to describe, you must listen to it. And we are very grateful for that.Maybe you can compare it to the feeling of barbs drilled into the dancer’s flesh.But undoubtedly, „Bring Me The Moon“ the title track of this new album will be as easy to remember as Erle/Royksopp (and finally a perfect track to mix it with). http://boxer-recordings.com/releases.php?release=126&t=388 Boxer #078 - BRING ME THE MOON Music is always hard to describe. When people try to profile a beat, they often invent the most far-off comparisons. But not Matzak: he is one of the few artists who always find the appropriate metaphor. The smart Frenchman and full-time professional pharmacist knows best about the alchemy of an eclectic combination, and the well-balanced mix of the necessary ingredients.His openhearted and inviting debut album “Life Beginnings” released on Boxer Recordings was a kind of ‘omnium gatherum’ he skilfully combined with a most appealing result. And in his new release “Bring Me The Moon”, Matzak applies a far more broader spectrum: he makes the sounds literally breathe, and gives each track its very own, individual pace with alternating straight and broken beats, smooth, delicious melodies and perfect bass lines. In other words: marvellous swinging sounds for your body and mind. The opener of the album “On The Sofa” starts with a fitness-clubbish bass. Sometimes it pretends to be the illegitimate grandson of the Beasty Boys, sometimes to be Moloko’s secret twin-sister. And without feeling guilty, Matzak even turns the radio on in order to entertain the first guests, and Californian singer Tori adds a few superbly placed vocal lines, and ready is the finest melange.But instead of getting stuck and well-fed at the foyer, “Unpredictable Sunday” and “Disco Mobster” start boarding the main floor. Rolling strings and a fresh monster bass are the first signs of a deep euphoria (both tracks would normally represent the start – and often at the same time the end – of a career).So, now it would be the right time for moving up a gear, or at least for going for some tears. Matzak however slows down, and starts all over again in a completely different way. “In the Jazz Garden” with its virtuoso piano comes along in a rather innocent way at first, and pretends to be a downbeat track. But the supposedly stopgaps quickly turns out to be a fully elaborated track that leaves the beaten tracks aside.Matzak enriches the romantically rainy „Argos“, and the precisely funky title track „Bring Me The Moon“ with so many vitamins that in the end, the listener is convinced that he has discovered a long-lost DJ-Shadow song. But apart from the nicely pastel coloured atmospheres, Matzak never forgets the floor: with „Stockholm 1973 Rework“, a vivid vocal song, or „Magneto“, a funky-stumbling track, he presents two stunning draft versions of what might become the best club tunes ever. You sometimes won’t believe your ears when you listen to this wealth of ideas. But why this vivid discussion does not end up in a private conversation, and how the flow manages to turn this album into a fantastic whole will always remain the pharmacist’s little secret. It has to run in your blood to play yourself into the people’s hearts and legs, you cannot learn it. This music is hard to describe, you must listen to it. And we are very grateful for that.Maybe you can compare it to the feeling of barbs drilled into the dancer’s flesh.But undoubtedly, „Bring Me The Moon“ the title track of this new album will be as easy to remember as Erle/Royksopp (and finally a perfect track to mix it with). http://boxer-recordings.com/releases.php?release=126 Sat, 30 Jan 2010 11:25:06 +0100 info@boxer-recordings.de Boxer #078 - BRING ME THE MOON Music is always hard to describe. When people try to profile a beat, they often invent the most far-off comparisons. But not Matzak: he is one of the few artists who always find the appropriate metaphor. The smart Frenchman and full-time professional pharmacist knows best about the alchemy of an eclectic combination, and the well-balanced mix of the necessary ingredients.His openhearted and inviting debut album “Life Beginnings” released on Boxer Recordings was a kind of ‘omnium gatherum’ he skilfully combined with a most appealing result. And in his new release “Bring Me The Moon”, Matzak applies a far more broader spectrum: he makes the sounds literally breathe, and gives each track its very own, individual pace with alternating straight and broken beats, smooth, delicious melodies and perfect bass lines. In other words: marvellous swinging sounds for your body and mind. The opener of the album “On The Sofa” starts with a fitness-clubbish bass. Sometimes it pretends to be the illegitimate grandson of the Beasty Boys, sometimes to be Moloko’s secret twin-sister. And without feeling guilty, Matzak even turns the radio on in order to entertain the first guests, and Californian singer Tori adds a few superbly placed vocal lines, and ready is the finest melange.But instead of getting stuck and well-fed at the foyer, “Unpredictable Sunday” and “Disco Mobster” start boarding the main floor. Rolling strings and a fresh monster bass are the first signs of a deep euphoria (both tracks would normally represent the start – and often at the same time the end – of a career).So, now it would be the right time for moving up a gear, or at least for going for some tears. Matzak however slows down, and starts all over again in a completely different way. “In the Jazz Garden” with its virtuoso piano comes along in a rather innocent way at first, and pretends to be a downbeat track. But the supposedly stopgaps quickly turns out to be a fully elaborated track that leaves the beaten tracks aside.Matzak enriches the romantically rainy „Argos“, and the precisely funky title track „Bring Me The Moon“ with so many vitamins that in the end, the listener is convinced that he has discovered a long-lost DJ-Shadow song. But apart from the nicely pastel coloured atmospheres, Matzak never forgets the floor: with „Stockholm 1973 Rework“, a vivid vocal song, or „Magneto“, a funky-stumbling track, he presents two stunning draft versions of what might become the best club tunes ever. You sometimes won’t believe your ears when you listen to this wealth of ideas. But why this vivid discussion does not end up in a private conversation, and how the flow manages to turn this album into a fantastic whole will always remain the pharmacist’s little secret. It has to run in your blood to play yourself into the people’s hearts and legs, you cannot learn it. This music is hard to describe, you must listen to it. And we are very grateful for that.Maybe you can compare it to the feeling of barbs drilled into the dancer’s flesh.But undoubtedly, „Bring Me The Moon“ the title track of this new album will be as easy to remember as Erle/Royksopp (and finally a perfect track to mix it with). http://boxer-recordings.com/releases.php?release=126&t=387 Boxer #078 - BRING ME THE MOON Music is always hard to describe. When people try to profile a beat, they often invent the most far-off comparisons. But not Matzak: he is one of the few artists who always find the appropriate metaphor. The smart Frenchman and full-time professional pharmacist knows best about the alchemy of an eclectic combination, and the well-balanced mix of the necessary ingredients.His openhearted and inviting debut album “Life Beginnings” released on Boxer Recordings was a kind of ‘omnium gatherum’ he skilfully combined with a most appealing result. And in his new release “Bring Me The Moon”, Matzak applies a far more broader spectrum: he makes the sounds literally breathe, and gives each track its very own, individual pace with alternating straight and broken beats, smooth, delicious melodies and perfect bass lines. In other words: marvellous swinging sounds for your body and mind. The opener of the album “On The Sofa” starts with a fitness-clubbish bass. Sometimes it pretends to be the illegitimate grandson of the Beasty Boys, sometimes to be Moloko’s secret twin-sister. And without feeling guilty, Matzak even turns the radio on in order to entertain the first guests, and Californian singer Tori adds a few superbly placed vocal lines, and ready is the finest melange.But instead of getting stuck and well-fed at the foyer, “Unpredictable Sunday” and “Disco Mobster” start boarding the main floor. Rolling strings and a fresh monster bass are the first signs of a deep euphoria (both tracks would normally represent the start – and often at the same time the end – of a career).So, now it would be the right time for moving up a gear, or at least for going for some tears. Matzak however slows down, and starts all over again in a completely different way. “In the Jazz Garden” with its virtuoso piano comes along in a rather innocent way at first, and pretends to be a downbeat track. But the supposedly stopgaps quickly turns out to be a fully elaborated track that leaves the beaten tracks aside.Matzak enriches the romantically rainy „Argos“, and the precisely funky title track „Bring Me The Moon“ with so many vitamins that in the end, the listener is convinced that he has discovered a long-lost DJ-Shadow song. But apart from the nicely pastel coloured atmospheres, Matzak never forgets the floor: with „Stockholm 1973 Rework“, a vivid vocal song, or „Magneto“, a funky-stumbling track, he presents two stunning draft versions of what might become the best club tunes ever. You sometimes won’t believe your ears when you listen to this wealth of ideas. But why this vivid discussion does not end up in a private conversation, and how the flow manages to turn this album into a fantastic whole will always remain the pharmacist’s little secret. It has to run in your blood to play yourself into the people’s hearts and legs, you cannot learn it. This music is hard to describe, you must listen to it. And we are very grateful for that.Maybe you can compare it to the feeling of barbs drilled into the dancer’s flesh.But undoubtedly, „Bring Me The Moon“ the title track of this new album will be as easy to remember as Erle/Royksopp (and finally a perfect track to mix it with). http://boxer-recordings.com/releases.php?release=126 Sat, 30 Jan 2010 11:22:47 +0100 info@boxer-recordings.de Boxer #078 - BRING ME THE MOON Music is always hard to describe. When people try to profile a beat, they often invent the most far-off comparisons. But not Matzak: he is one of the few artists who always find the appropriate metaphor. The smart Frenchman and full-time professional pharmacist knows best about the alchemy of an eclectic combination, and the well-balanced mix of the necessary ingredients.His openhearted and inviting debut album “Life Beginnings” released on Boxer Recordings was a kind of ‘omnium gatherum’ he skilfully combined with a most appealing result. And in his new release “Bring Me The Moon”, Matzak applies a far more broader spectrum: he makes the sounds literally breathe, and gives each track its very own, individual pace with alternating straight and broken beats, smooth, delicious melodies and perfect bass lines. In other words: marvellous swinging sounds for your body and mind. The opener of the album “On The Sofa” starts with a fitness-clubbish bass. Sometimes it pretends to be the illegitimate grandson of the Beasty Boys, sometimes to be Moloko’s secret twin-sister. And without feeling guilty, Matzak even turns the radio on in order to entertain the first guests, and Californian singer Tori adds a few superbly placed vocal lines, and ready is the finest melange.But instead of getting stuck and well-fed at the foyer, “Unpredictable Sunday” and “Disco Mobster” start boarding the main floor. Rolling strings and a fresh monster bass are the first signs of a deep euphoria (both tracks would normally represent the start – and often at the same time the end – of a career).So, now it would be the right time for moving up a gear, or at least for going for some tears. Matzak however slows down, and starts all over again in a completely different way. “In the Jazz Garden” with its virtuoso piano comes along in a rather innocent way at first, and pretends to be a downbeat track. But the supposedly stopgaps quickly turns out to be a fully elaborated track that leaves the beaten tracks aside.Matzak enriches the romantically rainy „Argos“, and the precisely funky title track „Bring Me The Moon“ with so many vitamins that in the end, the listener is convinced that he has discovered a long-lost DJ-Shadow song. But apart from the nicely pastel coloured atmospheres, Matzak never forgets the floor: with „Stockholm 1973 Rework“, a vivid vocal song, or „Magneto“, a funky-stumbling track, he presents two stunning draft versions of what might become the best club tunes ever. You sometimes won’t believe your ears when you listen to this wealth of ideas. But why this vivid discussion does not end up in a private conversation, and how the flow manages to turn this album into a fantastic whole will always remain the pharmacist’s little secret. It has to run in your blood to play yourself into the people’s hearts and legs, you cannot learn it. This music is hard to describe, you must listen to it. And we are very grateful for that.Maybe you can compare it to the feeling of barbs drilled into the dancer’s flesh.But undoubtedly, „Bring Me The Moon“ the title track of this new album will be as easy to remember as Erle/Royksopp (and finally a perfect track to mix it with). http://boxer-recordings.com/releases.php?release=126&t=386 Boxer #078 - BRING ME THE MOON Music is always hard to describe. When people try to profile a beat, they often invent the most far-off comparisons. But not Matzak: he is one of the few artists who always find the appropriate metaphor. The smart Frenchman and full-time professional pharmacist knows best about the alchemy of an eclectic combination, and the well-balanced mix of the necessary ingredients.His openhearted and inviting debut album “Life Beginnings” released on Boxer Recordings was a kind of ‘omnium gatherum’ he skilfully combined with a most appealing result. And in his new release “Bring Me The Moon”, Matzak applies a far more broader spectrum: he makes the sounds literally breathe, and gives each track its very own, individual pace with alternating straight and broken beats, smooth, delicious melodies and perfect bass lines. In other words: marvellous swinging sounds for your body and mind. The opener of the album “On The Sofa” starts with a fitness-clubbish bass. Sometimes it pretends to be the illegitimate grandson of the Beasty Boys, sometimes to be Moloko’s secret twin-sister. And without feeling guilty, Matzak even turns the radio on in order to entertain the first guests, and Californian singer Tori adds a few superbly placed vocal lines, and ready is the finest melange.But instead of getting stuck and well-fed at the foyer, “Unpredictable Sunday” and “Disco Mobster” start boarding the main floor. Rolling strings and a fresh monster bass are the first signs of a deep euphoria (both tracks would normally represent the start – and often at the same time the end – of a career).So, now it would be the right time for moving up a gear, or at least for going for some tears. Matzak however slows down, and starts all over again in a completely different way. “In the Jazz Garden” with its virtuoso piano comes along in a rather innocent way at first, and pretends to be a downbeat track. But the supposedly stopgaps quickly turns out to be a fully elaborated track that leaves the beaten tracks aside.Matzak enriches the romantically rainy „Argos“, and the precisely funky title track „Bring Me The Moon“ with so many vitamins that in the end, the listener is convinced that he has discovered a long-lost DJ-Shadow song. But apart from the nicely pastel coloured atmospheres, Matzak never forgets the floor: with „Stockholm 1973 Rework“, a vivid vocal song, or „Magneto“, a funky-stumbling track, he presents two stunning draft versions of what might become the best club tunes ever. You sometimes won’t believe your ears when you listen to this wealth of ideas. But why this vivid discussion does not end up in a private conversation, and how the flow manages to turn this album into a fantastic whole will always remain the pharmacist’s little secret. It has to run in your blood to play yourself into the people’s hearts and legs, you cannot learn it. This music is hard to describe, you must listen to it. And we are very grateful for that.Maybe you can compare it to the feeling of barbs drilled into the dancer’s flesh.But undoubtedly, „Bring Me The Moon“ the title track of this new album will be as easy to remember as Erle/Royksopp (and finally a perfect track to mix it with). http://boxer-recordings.com/releases.php?release=126 Sat, 30 Jan 2010 11:20:01 +0100 info@boxer-recordings.de Boxer #078 - BRING ME THE MOON Music is always hard to describe. When people try to profile a beat, they often invent the most far-off comparisons. But not Matzak: he is one of the few artists who always find the appropriate metaphor. The smart Frenchman and full-time professional pharmacist knows best about the alchemy of an eclectic combination, and the well-balanced mix of the necessary ingredients.His openhearted and inviting debut album “Life Beginnings” released on Boxer Recordings was a kind of ‘omnium gatherum’ he skilfully combined with a most appealing result. And in his new release “Bring Me The Moon”, Matzak applies a far more broader spectrum: he makes the sounds literally breathe, and gives each track its very own, individual pace with alternating straight and broken beats, smooth, delicious melodies and perfect bass lines. In other words: marvellous swinging sounds for your body and mind. The opener of the album “On The Sofa” starts with a fitness-clubbish bass. Sometimes it pretends to be the illegitimate grandson of the Beasty Boys, sometimes to be Moloko’s secret twin-sister. And without feeling guilty, Matzak even turns the radio on in order to entertain the first guests, and Californian singer Tori adds a few superbly placed vocal lines, and ready is the finest melange.But instead of getting stuck and well-fed at the foyer, “Unpredictable Sunday” and “Disco Mobster” start boarding the main floor. Rolling strings and a fresh monster bass are the first signs of a deep euphoria (both tracks would normally represent the start – and often at the same time the end – of a career).So, now it would be the right time for moving up a gear, or at least for going for some tears. Matzak however slows down, and starts all over again in a completely different way. “In the Jazz Garden” with its virtuoso piano comes along in a rather innocent way at first, and pretends to be a downbeat track. But the supposedly stopgaps quickly turns out to be a fully elaborated track that leaves the beaten tracks aside.Matzak enriches the romantically rainy „Argos“, and the precisely funky title track „Bring Me The Moon“ with so many vitamins that in the end, the listener is convinced that he has discovered a long-lost DJ-Shadow song. But apart from the nicely pastel coloured atmospheres, Matzak never forgets the floor: with „Stockholm 1973 Rework“, a vivid vocal song, or „Magneto“, a funky-stumbling track, he presents two stunning draft versions of what might become the best club tunes ever. You sometimes won’t believe your ears when you listen to this wealth of ideas. But why this vivid discussion does not end up in a private conversation, and how the flow manages to turn this album into a fantastic whole will always remain the pharmacist’s little secret. It has to run in your blood to play yourself into the people’s hearts and legs, you cannot learn it. This music is hard to describe, you must listen to it. And we are very grateful for that.Maybe you can compare it to the feeling of barbs drilled into the dancer’s flesh.But undoubtedly, „Bring Me The Moon“ the title track of this new album will be as easy to remember as Erle/Royksopp (and finally a perfect track to mix it with). http://boxer-recordings.com/releases.php?release=126&t=385 Boxer #078 - BRING ME THE MOON Music is always hard to describe. When people try to profile a beat, they often invent the most far-off comparisons. But not Matzak: he is one of the few artists who always find the appropriate metaphor. The smart Frenchman and full-time professional pharmacist knows best about the alchemy of an eclectic combination, and the well-balanced mix of the necessary ingredients.His openhearted and inviting debut album “Life Beginnings” released on Boxer Recordings was a kind of ‘omnium gatherum’ he skilfully combined with a most appealing result. And in his new release “Bring Me The Moon”, Matzak applies a far more broader spectrum: he makes the sounds literally breathe, and gives each track its very own, individual pace with alternating straight and broken beats, smooth, delicious melodies and perfect bass lines. In other words: marvellous swinging sounds for your body and mind. The opener of the album “On The Sofa” starts with a fitness-clubbish bass. Sometimes it pretends to be the illegitimate grandson of the Beasty Boys, sometimes to be Moloko’s secret twin-sister. And without feeling guilty, Matzak even turns the radio on in order to entertain the first guests, and Californian singer Tori adds a few superbly placed vocal lines, and ready is the finest melange.But instead of getting stuck and well-fed at the foyer, “Unpredictable Sunday” and “Disco Mobster” start boarding the main floor. Rolling strings and a fresh monster bass are the first signs of a deep euphoria (both tracks would normally represent the start – and often at the same time the end – of a career).So, now it would be the right time for moving up a gear, or at least for going for some tears. Matzak however slows down, and starts all over again in a completely different way. “In the Jazz Garden” with its virtuoso piano comes along in a rather innocent way at first, and pretends to be a downbeat track. But the supposedly stopgaps quickly turns out to be a fully elaborated track that leaves the beaten tracks aside.Matzak enriches the romantically rainy „Argos“, and the precisely funky title track „Bring Me The Moon“ with so many vitamins that in the end, the listener is convinced that he has discovered a long-lost DJ-Shadow song. But apart from the nicely pastel coloured atmospheres, Matzak never forgets the floor: with „Stockholm 1973 Rework“, a vivid vocal song, or „Magneto“, a funky-stumbling track, he presents two stunning draft versions of what might become the best club tunes ever. You sometimes won’t believe your ears when you listen to this wealth of ideas. But why this vivid discussion does not end up in a private conversation, and how the flow manages to turn this album into a fantastic whole will always remain the pharmacist’s little secret. It has to run in your blood to play yourself into the people’s hearts and legs, you cannot learn it. This music is hard to describe, you must listen to it. And we are very grateful for that.Maybe you can compare it to the feeling of barbs drilled into the dancer’s flesh.But undoubtedly, „Bring Me The Moon“ the title track of this new album will be as easy to remember as Erle/Royksopp (and finally a perfect track to mix it with). http://boxer-recordings.com/releases.php?release=126 Sat, 30 Jan 2010 11:17:25 +0100 info@boxer-recordings.de Boxer #078 - BRING ME THE MOON Music is always hard to describe. When people try to profile a beat, they often invent the most far-off comparisons. But not Matzak: he is one of the few artists who always find the appropriate metaphor. The smart Frenchman and full-time professional pharmacist knows best about the alchemy of an eclectic combination, and the well-balanced mix of the necessary ingredients.His openhearted and inviting debut album “Life Beginnings” released on Boxer Recordings was a kind of ‘omnium gatherum’ he skilfully combined with a most appealing result. And in his new release “Bring Me The Moon”, Matzak applies a far more broader spectrum: he makes the sounds literally breathe, and gives each track its very own, individual pace with alternating straight and broken beats, smooth, delicious melodies and perfect bass lines. In other words: marvellous swinging sounds for your body and mind. The opener of the album “On The Sofa” starts with a fitness-clubbish bass. Sometimes it pretends to be the illegitimate grandson of the Beasty Boys, sometimes to be Moloko’s secret twin-sister. And without feeling guilty, Matzak even turns the radio on in order to entertain the first guests, and Californian singer Tori adds a few superbly placed vocal lines, and ready is the finest melange.But instead of getting stuck and well-fed at the foyer, “Unpredictable Sunday” and “Disco Mobster” start boarding the main floor. Rolling strings and a fresh monster bass are the first signs of a deep euphoria (both tracks would normally represent the start – and often at the same time the end – of a career).So, now it would be the right time for moving up a gear, or at least for going for some tears. Matzak however slows down, and starts all over again in a completely different way. “In the Jazz Garden” with its virtuoso piano comes along in a rather innocent way at first, and pretends to be a downbeat track. But the supposedly stopgaps quickly turns out to be a fully elaborated track that leaves the beaten tracks aside.Matzak enriches the romantically rainy „Argos“, and the precisely funky title track „Bring Me The Moon“ with so many vitamins that in the end, the listener is convinced that he has discovered a long-lost DJ-Shadow song. But apart from the nicely pastel coloured atmospheres, Matzak never forgets the floor: with „Stockholm 1973 Rework“, a vivid vocal song, or „Magneto“, a funky-stumbling track, he presents two stunning draft versions of what might become the best club tunes ever. You sometimes won’t believe your ears when you listen to this wealth of ideas. But why this vivid discussion does not end up in a private conversation, and how the flow manages to turn this album into a fantastic whole will always remain the pharmacist’s little secret. It has to run in your blood to play yourself into the people’s hearts and legs, you cannot learn it. This music is hard to describe, you must listen to it. And we are very grateful for that.Maybe you can compare it to the feeling of barbs drilled into the dancer’s flesh.But undoubtedly, „Bring Me The Moon“ the title track of this new album will be as easy to remember as Erle/Royksopp (and finally a perfect track to mix it with). http://boxer-recordings.com/releases.php?release=126&t=384 Boxer #078 - BRING ME THE MOON Music is always hard to describe. When people try to profile a beat, they often invent the most far-off comparisons. But not Matzak: he is one of the few artists who always find the appropriate metaphor. The smart Frenchman and full-time professional pharmacist knows best about the alchemy of an eclectic combination, and the well-balanced mix of the necessary ingredients.His openhearted and inviting debut album “Life Beginnings” released on Boxer Recordings was a kind of ‘omnium gatherum’ he skilfully combined with a most appealing result. And in his new release “Bring Me The Moon”, Matzak applies a far more broader spectrum: he makes the sounds literally breathe, and gives each track its very own, individual pace with alternating straight and broken beats, smooth, delicious melodies and perfect bass lines. In other words: marvellous swinging sounds for your body and mind. The opener of the album “On The Sofa” starts with a fitness-clubbish bass. Sometimes it pretends to be the illegitimate grandson of the Beasty Boys, sometimes to be Moloko’s secret twin-sister. And without feeling guilty, Matzak even turns the radio on in order to entertain the first guests, and Californian singer Tori adds a few superbly placed vocal lines, and ready is the finest melange.But instead of getting stuck and well-fed at the foyer, “Unpredictable Sunday” and “Disco Mobster” start boarding the main floor. Rolling strings and a fresh monster bass are the first signs of a deep euphoria (both tracks would normally represent the start – and often at the same time the end – of a career).So, now it would be the right time for moving up a gear, or at least for going for some tears. Matzak however slows down, and starts all over again in a completely different way. “In the Jazz Garden” with its virtuoso piano comes along in a rather innocent way at first, and pretends to be a downbeat track. But the supposedly stopgaps quickly turns out to be a fully elaborated track that leaves the beaten tracks aside.Matzak enriches the romantically rainy „Argos“, and the precisely funky title track „Bring Me The Moon“ with so many vitamins that in the end, the listener is convinced that he has discovered a long-lost DJ-Shadow song. But apart from the nicely pastel coloured atmospheres, Matzak never forgets the floor: with „Stockholm 1973 Rework“, a vivid vocal song, or „Magneto“, a funky-stumbling track, he presents two stunning draft versions of what might become the best club tunes ever. You sometimes won’t believe your ears when you listen to this wealth of ideas. But why this vivid discussion does not end up in a private conversation, and how the flow manages to turn this album into a fantastic whole will always remain the pharmacist’s little secret. It has to run in your blood to play yourself into the people’s hearts and legs, you cannot learn it. This music is hard to describe, you must listen to it. And we are very grateful for that.Maybe you can compare it to the feeling of barbs drilled into the dancer’s flesh.But undoubtedly, „Bring Me The Moon“ the title track of this new album will be as easy to remember as Erle/Royksopp (and finally a perfect track to mix it with). http://boxer-recordings.com/releases.php?release=126 Sat, 30 Jan 2010 11:15:33 +0100 info@boxer-recordings.de Boxer #078 - BRING ME THE MOON Music is always hard to describe. When people try to profile a beat, they often invent the most far-off comparisons. But not Matzak: he is one of the few artists who always find the appropriate metaphor. The smart Frenchman and full-time professional pharmacist knows best about the alchemy of an eclectic combination, and the well-balanced mix of the necessary ingredients.His openhearted and inviting debut album “Life Beginnings” released on Boxer Recordings was a kind of ‘omnium gatherum’ he skilfully combined with a most appealing result. And in his new release “Bring Me The Moon”, Matzak applies a far more broader spectrum: he makes the sounds literally breathe, and gives each track its very own, individual pace with alternating straight and broken beats, smooth, delicious melodies and perfect bass lines. In other words: marvellous swinging sounds for your body and mind. The opener of the album “On The Sofa” starts with a fitness-clubbish bass. Sometimes it pretends to be the illegitimate grandson of the Beasty Boys, sometimes to be Moloko’s secret twin-sister. And without feeling guilty, Matzak even turns the radio on in order to entertain the first guests, and Californian singer Tori adds a few superbly placed vocal lines, and ready is the finest melange.But instead of getting stuck and well-fed at the foyer, “Unpredictable Sunday” and “Disco Mobster” start boarding the main floor. Rolling strings and a fresh monster bass are the first signs of a deep euphoria (both tracks would normally represent the start – and often at the same time the end – of a career).So, now it would be the right time for moving up a gear, or at least for going for some tears. Matzak however slows down, and starts all over again in a completely different way. “In the Jazz Garden” with its virtuoso piano comes along in a rather innocent way at first, and pretends to be a downbeat track. But the supposedly stopgaps quickly turns out to be a fully elaborated track that leaves the beaten tracks aside.Matzak enriches the romantically rainy „Argos“, and the precisely funky title track „Bring Me The Moon“ with so many vitamins that in the end, the listener is convinced that he has discovered a long-lost DJ-Shadow song. But apart from the nicely pastel coloured atmospheres, Matzak never forgets the floor: with „Stockholm 1973 Rework“, a vivid vocal song, or „Magneto“, a funky-stumbling track, he presents two stunning draft versions of what might become the best club tunes ever. You sometimes won’t believe your ears when you listen to this wealth of ideas. But why this vivid discussion does not end up in a private conversation, and how the flow manages to turn this album into a fantastic whole will always remain the pharmacist’s little secret. It has to run in your blood to play yourself into the people’s hearts and legs, you cannot learn it. This music is hard to describe, you must listen to it. And we are very grateful for that.Maybe you can compare it to the feeling of barbs drilled into the dancer’s flesh.But undoubtedly, „Bring Me The Moon“ the title track of this new album will be as easy to remember as Erle/Royksopp (and finally a perfect track to mix it with). http://boxer-recordings.com/releases.php?release=126&t=383 Boxer #078 - BRING ME THE MOON Music is always hard to describe. When people try to profile a beat, they often invent the most far-off comparisons. But not Matzak: he is one of the few artists who always find the appropriate metaphor. The smart Frenchman and full-time professional pharmacist knows best about the alchemy of an eclectic combination, and the well-balanced mix of the necessary ingredients.His openhearted and inviting debut album “Life Beginnings” released on Boxer Recordings was a kind of ‘omnium gatherum’ he skilfully combined with a most appealing result. And in his new release “Bring Me The Moon”, Matzak applies a far more broader spectrum: he makes the sounds literally breathe, and gives each track its very own, individual pace with alternating straight and broken beats, smooth, delicious melodies and perfect bass lines. In other words: marvellous swinging sounds for your body and mind. The opener of the album “On The Sofa” starts with a fitness-clubbish bass. Sometimes it pretends to be the illegitimate grandson of the Beasty Boys, sometimes to be Moloko’s secret twin-sister. And without feeling guilty, Matzak even turns the radio on in order to entertain the first guests, and Californian singer Tori adds a few superbly placed vocal lines, and ready is the finest melange.But instead of getting stuck and well-fed at the foyer, “Unpredictable Sunday” and “Disco Mobster” start boarding the main floor. Rolling strings and a fresh monster bass are the first signs of a deep euphoria (both tracks would normally represent the start – and often at the same time the end – of a career).So, now it would be the right time for moving up a gear, or at least for going for some tears. Matzak however slows down, and starts all over again in a completely different way. “In the Jazz Garden” with its virtuoso piano comes along in a rather innocent way at first, and pretends to be a downbeat track. But the supposedly stopgaps quickly turns out to be a fully elaborated track that leaves the beaten tracks aside.Matzak enriches the romantically rainy „Argos“, and the precisely funky title track „Bring Me The Moon“ with so many vitamins that in the end, the listener is convinced that he has discovered a long-lost DJ-Shadow song. But apart from the nicely pastel coloured atmospheres, Matzak never forgets the floor: with „Stockholm 1973 Rework“, a vivid vocal song, or „Magneto“, a funky-stumbling track, he presents two stunning draft versions of what might become the best club tunes ever. You sometimes won’t believe your ears when you listen to this wealth of ideas. But why this vivid discussion does not end up in a private conversation, and how the flow manages to turn this album into a fantastic whole will always remain the pharmacist’s little secret. It has to run in your blood to play yourself into the people’s hearts and legs, you cannot learn it. This music is hard to describe, you must listen to it. And we are very grateful for that.Maybe you can compare it to the feeling of barbs drilled into the dancer’s flesh.But undoubtedly, „Bring Me The Moon“ the title track of this new album will be as easy to remember as Erle/Royksopp (and finally a perfect track to mix it with). http://boxer-recordings.com/releases.php?release=126 Sat, 30 Jan 2010 11:12:25 +0100 info@boxer-recordings.de Boxer #078 - BRING ME THE MOON Music is always hard to describe. When people try to profile a beat, they often invent the most far-off comparisons. But not Matzak: he is one of the few artists who always find the appropriate metaphor. The smart Frenchman and full-time professional pharmacist knows best about the alchemy of an eclectic combination, and the well-balanced mix of the necessary ingredients.His openhearted and inviting debut album “Life Beginnings” released on Boxer Recordings was a kind of ‘omnium gatherum’ he skilfully combined with a most appealing result. And in his new release “Bring Me The Moon”, Matzak applies a far more broader spectrum: he makes the sounds literally breathe, and gives each track its very own, individual pace with alternating straight and broken beats, smooth, delicious melodies and perfect bass lines. In other words: marvellous swinging sounds for your body and mind. The opener of the album “On The Sofa” starts with a fitness-clubbish bass. Sometimes it pretends to be the illegitimate grandson of the Beasty Boys, sometimes to be Moloko’s secret twin-sister. And without feeling guilty, Matzak even turns the radio on in order to entertain the first guests, and Californian singer Tori adds a few superbly placed vocal lines, and ready is the finest melange.But instead of getting stuck and well-fed at the foyer, “Unpredictable Sunday” and “Disco Mobster” start boarding the main floor. Rolling strings and a fresh monster bass are the first signs of a deep euphoria (both tracks would normally represent the start – and often at the same time the end – of a career).So, now it would be the right time for moving up a gear, or at least for going for some tears. Matzak however slows down, and starts all over again in a completely different way. “In the Jazz Garden” with its virtuoso piano comes along in a rather innocent way at first, and pretends to be a downbeat track. But the supposedly stopgaps quickly turns out to be a fully elaborated track that leaves the beaten tracks aside.Matzak enriches the romantically rainy „Argos“, and the precisely funky title track „Bring Me The Moon“ with so many vitamins that in the end, the listener is convinced that he has discovered a long-lost DJ-Shadow song. But apart from the nicely pastel coloured atmospheres, Matzak never forgets the floor: with „Stockholm 1973 Rework“, a vivid vocal song, or „Magneto“, a funky-stumbling track, he presents two stunning draft versions of what might become the best club tunes ever. You sometimes won’t believe your ears when you listen to this wealth of ideas. But why this vivid discussion does not end up in a private conversation, and how the flow manages to turn this album into a fantastic whole will always remain the pharmacist’s little secret. It has to run in your blood to play yourself into the people’s hearts and legs, you cannot learn it. This music is hard to describe, you must listen to it. And we are very grateful for that.Maybe you can compare it to the feeling of barbs drilled into the dancer’s flesh.But undoubtedly, „Bring Me The Moon“ the title track of this new album will be as easy to remember as Erle/Royksopp (and finally a perfect track to mix it with). http://boxer-recordings.com/releases.php?release=126&t=382 Boxer #078 - BRING ME THE MOON Music is always hard to describe. When people try to profile a beat, they often invent the most far-off comparisons. But not Matzak: he is one of the few artists who always find the appropriate metaphor. The smart Frenchman and full-time professional pharmacist knows best about the alchemy of an eclectic combination, and the well-balanced mix of the necessary ingredients.His openhearted and inviting debut album “Life Beginnings” released on Boxer Recordings was a kind of ‘omnium gatherum’ he skilfully combined with a most appealing result. And in his new release “Bring Me The Moon”, Matzak applies a far more broader spectrum: he makes the sounds literally breathe, and gives each track its very own, individual pace with alternating straight and broken beats, smooth, delicious melodies and perfect bass lines. In other words: marvellous swinging sounds for your body and mind. The opener of the album “On The Sofa” starts with a fitness-clubbish bass. Sometimes it pretends to be the illegitimate grandson of the Beasty Boys, sometimes to be Moloko’s secret twin-sister. And without feeling guilty, Matzak even turns the radio on in order to entertain the first guests, and Californian singer Tori adds a few superbly placed vocal lines, and ready is the finest melange.But instead of getting stuck and well-fed at the foyer, “Unpredictable Sunday” and “Disco Mobster” start boarding the main floor. Rolling strings and a fresh monster bass are the first signs of a deep euphoria (both tracks would normally represent the start – and often at the same time the end – of a career).So, now it would be the right time for moving up a gear, or at least for going for some tears. Matzak however slows down, and starts all over again in a completely different way. “In the Jazz Garden” with its virtuoso piano comes along in a rather innocent way at first, and pretends to be a downbeat track. But the supposedly stopgaps quickly turns out to be a fully elaborated track that leaves the beaten tracks aside.Matzak enriches the romantically rainy „Argos“, and the precisely funky title track „Bring Me The Moon“ with so many vitamins that in the end, the listener is convinced that he has discovered a long-lost DJ-Shadow song. But apart from the nicely pastel coloured atmospheres, Matzak never forgets the floor: with „Stockholm 1973 Rework“, a vivid vocal song, or „Magneto“, a funky-stumbling track, he presents two stunning draft versions of what might become the best club tunes ever. You sometimes won’t believe your ears when you listen to this wealth of ideas. But why this vivid discussion does not end up in a private conversation, and how the flow manages to turn this album into a fantastic whole will always remain the pharmacist’s little secret. It has to run in your blood to play yourself into the people’s hearts and legs, you cannot learn it. This music is hard to describe, you must listen to it. And we are very grateful for that.Maybe you can compare it to the feeling of barbs drilled into the dancer’s flesh.But undoubtedly, „Bring Me The Moon“ the title track of this new album will be as easy to remember as Erle/Royksopp (and finally a perfect track to mix it with). http://boxer-recordings.com/releases.php?release=126 Sat, 30 Jan 2010 11:09:47 +0100 info@boxer-recordings.de Boxer #078 - BRING ME THE MOON Music is always hard to describe. When people try to profile a beat, they often invent the most far-off comparisons. But not Matzak: he is one of the few artists who always find the appropriate metaphor. The smart Frenchman and full-time professional pharmacist knows best about the alchemy of an eclectic combination, and the well-balanced mix of the necessary ingredients.His openhearted and inviting debut album “Life Beginnings” released on Boxer Recordings was a kind of ‘omnium gatherum’ he skilfully combined with a most appealing result. And in his new release “Bring Me The Moon”, Matzak applies a far more broader spectrum: he makes the sounds literally breathe, and gives each track its very own, individual pace with alternating straight and broken beats, smooth, delicious melodies and perfect bass lines. In other words: marvellous swinging sounds for your body and mind. The opener of the album “On The Sofa” starts with a fitness-clubbish bass. Sometimes it pretends to be the illegitimate grandson of the Beasty Boys, sometimes to be Moloko’s secret twin-sister. And without feeling guilty, Matzak even turns the radio on in order to entertain the first guests, and Californian singer Tori adds a few superbly placed vocal lines, and ready is the finest melange.But instead of getting stuck and well-fed at the foyer, “Unpredictable Sunday” and “Disco Mobster” start boarding the main floor. Rolling strings and a fresh monster bass are the first signs of a deep euphoria (both tracks would normally represent the start – and often at the same time the end – of a career).So, now it would be the right time for moving up a gear, or at least for going for some tears. Matzak however slows down, and starts all over again in a completely different way. “In the Jazz Garden” with its virtuoso piano comes along in a rather innocent way at first, and pretends to be a downbeat track. But the supposedly stopgaps quickly turns out to be a fully elaborated track that leaves the beaten tracks aside.Matzak enriches the romantically rainy „Argos“, and the precisely funky title track „Bring Me The Moon“ with so many vitamins that in the end, the listener is convinced that he has discovered a long-lost DJ-Shadow song. But apart from the nicely pastel coloured atmospheres, Matzak never forgets the floor: with „Stockholm 1973 Rework“, a vivid vocal song, or „Magneto“, a funky-stumbling track, he presents two stunning draft versions of what might become the best club tunes ever. You sometimes won’t believe your ears when you listen to this wealth of ideas. But why this vivid discussion does not end up in a private conversation, and how the flow manages to turn this album into a fantastic whole will always remain the pharmacist’s little secret. It has to run in your blood to play yourself into the people’s hearts and legs, you cannot learn it. This music is hard to describe, you must listen to it. And we are very grateful for that.Maybe you can compare it to the feeling of barbs drilled into the dancer’s flesh.But undoubtedly, „Bring Me The Moon“ the title track of this new album will be as easy to remember as Erle/Royksopp (and finally a perfect track to mix it with). http://boxer-recordings.com/releases.php?release=126&t=380 Boxer #078 - BRING ME THE MOON Music is always hard to describe. When people try to profile a beat, they often invent the most far-off comparisons. But not Matzak: he is one of the few artists who always find the appropriate metaphor. The smart Frenchman and full-time professional pharmacist knows best about the alchemy of an eclectic combination, and the well-balanced mix of the necessary ingredients.His openhearted and inviting debut album “Life Beginnings” released on Boxer Recordings was a kind of ‘omnium gatherum’ he skilfully combined with a most appealing result. And in his new release “Bring Me The Moon”, Matzak applies a far more broader spectrum: he makes the sounds literally breathe, and gives each track its very own, individual pace with alternating straight and broken beats, smooth, delicious melodies and perfect bass lines. In other words: marvellous swinging sounds for your body and mind. The opener of the album “On The Sofa” starts with a fitness-clubbish bass. Sometimes it pretends to be the illegitimate grandson of the Beasty Boys, sometimes to be Moloko’s secret twin-sister. And without feeling guilty, Matzak even turns the radio on in order to entertain the first guests, and Californian singer Tori adds a few superbly placed vocal lines, and ready is the finest melange.But instead of getting stuck and well-fed at the foyer, “Unpredictable Sunday” and “Disco Mobster” start boarding the main floor. Rolling strings and a fresh monster bass are the first signs of a deep euphoria (both tracks would normally represent the start – and often at the same time the end – of a career).So, now it would be the right time for moving up a gear, or at least for going for some tears. Matzak however slows down, and starts all over again in a completely different way. “In the Jazz Garden” with its virtuoso piano comes along in a rather innocent way at first, and pretends to be a downbeat track. But the supposedly stopgaps quickly turns out to be a fully elaborated track that leaves the beaten tracks aside.Matzak enriches the romantically rainy „Argos“, and the precisely funky title track „Bring Me The Moon“ with so many vitamins that in the end, the listener is convinced that he has discovered a long-lost DJ-Shadow song. But apart from the nicely pastel coloured atmospheres, Matzak never forgets the floor: with „Stockholm 1973 Rework“, a vivid vocal song, or „Magneto“, a funky-stumbling track, he presents two stunning draft versions of what might become the best club tunes ever. You sometimes won’t believe your ears when you listen to this wealth of ideas. But why this vivid discussion does not end up in a private conversation, and how the flow manages to turn this album into a fantastic whole will always remain the pharmacist’s little secret. It has to run in your blood to play yourself into the people’s hearts and legs, you cannot learn it. This music is hard to describe, you must listen to it. And we are very grateful for that.Maybe you can compare it to the feeling of barbs drilled into the dancer’s flesh.But undoubtedly, „Bring Me The Moon“ the title track of this new album will be as easy to remember as Erle/Royksopp (and finally a perfect track to mix it with). http://boxer-recordings.com/releases.php?release=123 Mon, 28 Dec 2009 09:28:41 +0100 info@boxer-recordings.de Kickboxer #026 - RIPCURL Martin Eyerer's & Namito's track "Ripcurl" sound like a visit at the dentist. Well, more groovy of course but there is this subtle sound of a driller that shapes into your mind slowly and makes you scream. You see how close to a visit at the dentist it is ?Enough dentist now ! "Ripcurl" has other things to talk about. There is a fantastic guitar break, great strings, a pumping bassdrum, a clever arrangement and an Ahmet Sendil mix on the flipside. This remix is more tidy and minimal than the original and a safe bet to play. http://boxer-recordings.com/releases.php?release=123&t=376 Kickboxer #026 - RIPCURL Martin Eyerer's & Namito's track "Ripcurl" sound like a visit at the dentist. Well, more groovy of course but there is this subtle sound of a driller that shapes into your mind slowly and makes you scream. You see how close to a visit at the dentist it is ?Enough dentist now ! "Ripcurl" has other things to talk about. There is a fantastic guitar break, great strings, a pumping bassdrum, a clever arrangement and an Ahmet Sendil mix on the flipside. This remix is more tidy and minimal than the original and a safe bet to play. http://boxer-recordings.com/releases.php?release=123 Mon, 28 Dec 2009 09:26:29 +0100 info@boxer-recordings.de Kickboxer #026 - RIPCURL Martin Eyerer's & Namito's track "Ripcurl" sound like a visit at the dentist. Well, more groovy of course but there is this subtle sound of a driller that shapes into your mind slowly and makes you scream. You see how close to a visit at the dentist it is ?Enough dentist now ! "Ripcurl" has other things to talk about. There is a fantastic guitar break, great strings, a pumping bassdrum, a clever arrangement and an Ahmet Sendil mix on the flipside. This remix is more tidy and minimal than the original and a safe bet to play. http://boxer-recordings.com/releases.php?release=123&t=375 Kickboxer #026 - RIPCURL Martin Eyerer's & Namito's track "Ripcurl" sound like a visit at the dentist. Well, more groovy of course but there is this subtle sound of a driller that shapes into your mind slowly and makes you scream. You see how close to a visit at the dentist it is ?Enough dentist now ! "Ripcurl" has other things to talk about. There is a fantastic guitar break, great strings, a pumping bassdrum, a clever arrangement and an Ahmet Sendil mix on the flipside. This remix is more tidy and minimal than the original and a safe bet to play. http://boxer-recordings.com/releases.php?release=122 Sun, 20 Dec 2009 13:37:57 +0100 info@boxer-recordings.de Boxer Sport #076 - GOTCHA After 2,5 years of silence we received a new sign of life by Duoteque (Dusty Kid & Andrea Ferlin). We proudly present a sprawling Techno smasher that will suck the last drop of sweat out of your body. It’s different from their earlier work as it feels more straight and catchy instead of bulky. In addition we managed to get a proper remix by the Cocoon artists Pig & Dan. They turn the well known “Logo” track into a deep bass experience enriched with bleeps and clonks. The underworld of bass frequencies meets the sky of hissing sounds. http://boxer-recordings.com/releases.php?release=122&t=374 Boxer Sport #076 - GOTCHA After 2,5 years of silence we received a new sign of life by Duoteque (Dusty Kid & Andrea Ferlin). We proudly present a sprawling Techno smasher that will suck the last drop of sweat out of your body. It’s different from their earlier work as it feels more straight and catchy instead of bulky. In addition we managed to get a proper remix by the Cocoon artists Pig & Dan. They turn the well known “Logo” track into a deep bass experience enriched with bleeps and clonks. The underworld of bass frequencies meets the sky of hissing sounds. http://boxer-recordings.com/releases.php?release=122 Sun, 20 Dec 2009 13:34:58 +0100 info@boxer-recordings.de Boxer Sport #076 - GOTCHA After 2,5 years of silence we received a new sign of life by Duoteque (Dusty Kid & Andrea Ferlin). We proudly present a sprawling Techno smasher that will suck the last drop of sweat out of your body. It’s different from their earlier work as it feels more straight and catchy instead of bulky. In addition we managed to get a proper remix by the Cocoon artists Pig & Dan. They turn the well known “Logo” track into a deep bass experience enriched with bleeps and clonks. The underworld of bass frequencies meets the sky of hissing sounds. http://boxer-recordings.com/releases.php?release=122&t=373 Boxer Sport #076 - GOTCHA After 2,5 years of silence we received a new sign of life by Duoteque (Dusty Kid & Andrea Ferlin). We proudly present a sprawling Techno smasher that will suck the last drop of sweat out of your body. It’s different from their earlier work as it feels more straight and catchy instead of bulky. In addition we managed to get a proper remix by the Cocoon artists Pig & Dan. They turn the well known “Logo” track into a deep bass experience enriched with bleeps and clonks. The underworld of bass frequencies meets the sky of hissing sounds. http://boxer-recordings.com/releases.php?release=120 Tue, 20 Oct 2009 17:43:53 +0200 info@boxer-recordings.de Kickboxer #025 - DEFEATIST For the past three years, Allez-Allez have developed an enviable reputation as two of London's most in demand and respected bloggers, DJs and remixers. Their weekly podcast (http://www.allez-allez.co.uk/) has featured guest appearances from the likes of Four Tet, Nathan Fake, Ewan Pearson, Matias Aguayo, Tobias Thomas, Hot Chip, Animal Collective and Optimo to name but a few, they have played host to Kompakt's series of London parties at Plastic People including Supermayer, The Field, Gui Boratto and DJ Koze amongst others, as well as DJ dates in Berlin, Barcelona,  Krakow, Cologne and beyond. They are also soon to launch their own imprint Amazing Sounds, with the first release of Harmonia & Brian Eno remixed by Shackleton & Appleblim! Well received, forward thinking Allez-Allez remixes for the likes of Fever Ray, Simian Mobile Disco, Hot Chip and Telepathe are now followed by a debut single for Cologne's highly respected Kickboxer imprint. Part of Kompakt's associated labels, the track (entitled 'Defeatist') is a growling analogue peak time stormer, backed with 'Slump' a melancholic kraut epic described by Optimo's JD Twitch as sounding "like Chris & Cosey riding a flying hoover over the city in Blade Runner". The package features a slamming remix by Border Community's Ricardo Tobar, which has already been rocking the crowds from the record boxes of none other than BC boss James Holden and krautronica master Four Tet now for some time! Also included are two rerubs by winners of the FOEM remix competition - Soundcaster and Karizmxxxx that twist the original into exciting new shapes for diverse dancefloors. http://boxer-recordings.com/releases.php?release=120&t=372 Kickboxer #025 - DEFEATIST For the past three years, Allez-Allez have developed an enviable reputation as two of London's most in demand and respected bloggers, DJs and remixers. Their weekly podcast (http://www.allez-allez.co.uk/) has featured guest appearances from the likes of Four Tet, Nathan Fake, Ewan Pearson, Matias Aguayo, Tobias Thomas, Hot Chip, Animal Collective and Optimo to name but a few, they have played host to Kompakt's series of London parties at Plastic People including Supermayer, The Field, Gui Boratto and DJ Koze amongst others, as well as DJ dates in Berlin, Barcelona,  Krakow, Cologne and beyond. They are also soon to launch their own imprint Amazing Sounds, with the first release of Harmonia & Brian Eno remixed by Shackleton & Appleblim! Well received, forward thinking Allez-Allez remixes for the likes of Fever Ray, Simian Mobile Disco, Hot Chip and Telepathe are now followed by a debut single for Cologne's highly respected Kickboxer imprint. Part of Kompakt's associated labels, the track (entitled 'Defeatist') is a growling analogue peak time stormer, backed with 'Slump' a melancholic kraut epic described by Optimo's JD Twitch as sounding "like Chris & Cosey riding a flying hoover over the city in Blade Runner". The package features a slamming remix by Border Community's Ricardo Tobar, which has already been rocking the crowds from the record boxes of none other than BC boss James Holden and krautronica master Four Tet now for some time! Also included are two rerubs by winners of the FOEM remix competition - Soundcaster and Karizmxxxx that twist the original into exciting new shapes for diverse dancefloors. http://boxer-recordings.com/releases.php?release=121 Tue, 20 Oct 2009 10:19:06 +0200 info@boxer-recordings.de Boxer Sport #075 - MOTO PERPETUO While our electronic steel hammer called Dusty Kid says hello to the worldwide Techno community on his world tour we take care about the next DJ feeding. We have another 2 outtakes from the “A raver’s diary” album for you. MOTO PERPETUO und THE FUGE have already convinced Dj Hell, Richie Hawtin, Sven Väth and other celebrities of the turntables. As if this wasn’t enough we add two more tracks. The first one is called AMAZON which is a great new unreleased track by Dusty Kid. A magic one – that’s for sure. The second one is the winner of the FOEM remix competition. After we heard hundreds of remixes we agreed that Oblivion have to be the one who will be presented on this 12”. A smashing house track with minimal influences and a great stylish drumming. But ... hear yourself ! http://boxer-recordings.com/releases.php?release=121&t=371 Boxer Sport #075 - MOTO PERPETUO While our electronic steel hammer called Dusty Kid says hello to the worldwide Techno community on his world tour we take care about the next DJ feeding. We have another 2 outtakes from the “A raver’s diary” album for you. MOTO PERPETUO und THE FUGE have already convinced Dj Hell, Richie Hawtin, Sven Väth and other celebrities of the turntables. As if this wasn’t enough we add two more tracks. The first one is called AMAZON which is a great new unreleased track by Dusty Kid. A magic one – that’s for sure. The second one is the winner of the FOEM remix competition. After we heard hundreds of remixes we agreed that Oblivion have to be the one who will be presented on this 12”. A smashing house track with minimal influences and a great stylish drumming. But ... hear yourself ! http://boxer-recordings.com/releases.php?release=121 Tue, 20 Oct 2009 10:16:13 +0200 info@boxer-recordings.de Boxer Sport #075 - MOTO PERPETUO While our electronic steel hammer called Dusty Kid says hello to the worldwide Techno community on his world tour we take care about the next DJ feeding. We have another 2 outtakes from the “A raver’s diary” album for you. MOTO PERPETUO und THE FUGE have already convinced Dj Hell, Richie Hawtin, Sven Väth and other celebrities of the turntables. As if this wasn’t enough we add two more tracks. The first one is called AMAZON which is a great new unreleased track by Dusty Kid. A magic one – that’s for sure. The second one is the winner of the FOEM remix competition. After we heard hundreds of remixes we agreed that Oblivion have to be the one who will be presented on this 12”. A smashing house track with minimal influences and a great stylish drumming. But ... hear yourself ! http://boxer-recordings.com/releases.php?release=121&t=370 Boxer Sport #075 - MOTO PERPETUO While our electronic steel hammer called Dusty Kid says hello to the worldwide Techno community on his world tour we take care about the next DJ feeding. We have another 2 outtakes from the “A raver’s diary” album for you. MOTO PERPETUO und THE FUGE have already convinced Dj Hell, Richie Hawtin, Sven Väth and other celebrities of the turntables. As if this wasn’t enough we add two more tracks. The first one is called AMAZON which is a great new unreleased track by Dusty Kid. A magic one – that’s for sure. The second one is the winner of the FOEM remix competition. After we heard hundreds of remixes we agreed that Oblivion have to be the one who will be presented on this 12”. A smashing house track with minimal influences and a great stylish drumming. But ... hear yourself ! http://boxer-recordings.com/releases.php?release=121 Tue, 20 Oct 2009 10:14:13 +0200 info@boxer-recordings.de Boxer Sport #075 - MOTO PERPETUO While our electronic steel hammer called Dusty Kid says hello to the worldwide Techno community on his world tour we take care about the next DJ feeding. We have another 2 outtakes from the “A raver’s diary” album for you. MOTO PERPETUO und THE FUGE have already convinced Dj Hell, Richie Hawtin, Sven Väth and other celebrities of the turntables. As if this wasn’t enough we add two more tracks. The first one is called AMAZON which is a great new unreleased track by Dusty Kid. A magic one – that’s for sure. The second one is the winner of the FOEM remix competition. After we heard hundreds of remixes we agreed that Oblivion have to be the one who will be presented on this 12”. A smashing house track with minimal influences and a great stylish drumming. But ... hear yourself ! http://boxer-recordings.com/releases.php?release=121&t=369 Boxer Sport #075 - MOTO PERPETUO While our electronic steel hammer called Dusty Kid says hello to the worldwide Techno community on his world tour we take care about the next DJ feeding. We have another 2 outtakes from the “A raver’s diary” album for you. MOTO PERPETUO und THE FUGE have already convinced Dj Hell, Richie Hawtin, Sven Väth and other celebrities of the turntables. As if this wasn’t enough we add two more tracks. The first one is called AMAZON which is a great new unreleased track by Dusty Kid. A magic one – that’s for sure. The second one is the winner of the FOEM remix competition. After we heard hundreds of remixes we agreed that Oblivion have to be the one who will be presented on this 12”. A smashing house track with minimal influences and a great stylish drumming. But ... hear yourself ! http://boxer-recordings.com/releases.php?release=121 Tue, 20 Oct 2009 10:11:47 +0200 info@boxer-recordings.de Boxer Sport #075 - MOTO PERPETUO While our electronic steel hammer called Dusty Kid says hello to the worldwide Techno community on his world tour we take care about the next DJ feeding. We have another 2 outtakes from the “A raver’s diary” album for you. MOTO PERPETUO und THE FUGE have already convinced Dj Hell, Richie Hawtin, Sven Väth and other celebrities of the turntables. As if this wasn’t enough we add two more tracks. The first one is called AMAZON which is a great new unreleased track by Dusty Kid. A magic one – that’s for sure. The second one is the winner of the FOEM remix competition. After we heard hundreds of remixes we agreed that Oblivion have to be the one who will be presented on this 12”. A smashing house track with minimal influences and a great stylish drumming. But ... hear yourself ! http://boxer-recordings.com/releases.php?release=121&t=368 Boxer Sport #075 - MOTO PERPETUO While our electronic steel hammer called Dusty Kid says hello to the worldwide Techno community on his world tour we take care about the next DJ feeding. We have another 2 outtakes from the “A raver’s diary” album for you. MOTO PERPETUO und THE FUGE have already convinced Dj Hell, Richie Hawtin, Sven Väth and other celebrities of the turntables. As if this wasn’t enough we add two more tracks. The first one is called AMAZON which is a great new unreleased track by Dusty Kid. A magic one – that’s for sure. The second one is the winner of the FOEM remix competition. After we heard hundreds of remixes we agreed that Oblivion have to be the one who will be presented on this 12”. A smashing house track with minimal influences and a great stylish drumming. But ... hear yourself ! http://boxer-recordings.com/releases.php?release=120 Tue, 20 Oct 2009 10:03:13 +0200 info@boxer-recordings.de Kickboxer #025 - DEFEATIST For the past three years, Allez-Allez have developed an enviable reputation as two of London's most in demand and respected bloggers, DJs and remixers. Their weekly podcast (http://www.allez-allez.co.uk/) has featured guest appearances from the likes of Four Tet, Nathan Fake, Ewan Pearson, Matias Aguayo, Tobias Thomas, Hot Chip, Animal Collective and Optimo to name but a few, they have played host to Kompakt's series of London parties at Plastic People including Supermayer, The Field, Gui Boratto and DJ Koze amongst others, as well as DJ dates in Berlin, Barcelona,  Krakow, Cologne and beyond. They are also soon to launch their own imprint Amazing Sounds, with the first release of Harmonia & Brian Eno remixed by Shackleton & Appleblim! Well received, forward thinking Allez-Allez remixes for the likes of Fever Ray, Simian Mobile Disco, Hot Chip and Telepathe are now followed by a debut single for Cologne's highly respected Kickboxer imprint. Part of Kompakt's associated labels, the track (entitled 'Defeatist') is a growling analogue peak time stormer, backed with 'Slump' a melancholic kraut epic described by Optimo's JD Twitch as sounding "like Chris & Cosey riding a flying hoover over the city in Blade Runner". The package features a slamming remix by Border Community's Ricardo Tobar, which has already been rocking the crowds from the record boxes of none other than BC boss James Holden and krautronica master Four Tet now for some time! Also included are two rerubs by winners of the FOEM remix competition - Soundcaster and Karizmxxxx that twist the original into exciting new shapes for diverse dancefloors. http://boxer-recordings.com/releases.php?release=120&t=367 Kickboxer #025 - DEFEATIST For the past three years, Allez-Allez have developed an enviable reputation as two of London's most in demand and respected bloggers, DJs and remixers. Their weekly podcast (http://www.allez-allez.co.uk/) has featured guest appearances from the likes of Four Tet, Nathan Fake, Ewan Pearson, Matias Aguayo, Tobias Thomas, Hot Chip, Animal Collective and Optimo to name but a few, they have played host to Kompakt's series of London parties at Plastic People including Supermayer, The Field, Gui Boratto and DJ Koze amongst others, as well as DJ dates in Berlin, Barcelona,  Krakow, Cologne and beyond. They are also soon to launch their own imprint Amazing Sounds, with the first release of Harmonia & Brian Eno remixed by Shackleton & Appleblim! Well received, forward thinking Allez-Allez remixes for the likes of Fever Ray, Simian Mobile Disco, Hot Chip and Telepathe are now followed by a debut single for Cologne's highly respected Kickboxer imprint. Part of Kompakt's associated labels, the track (entitled 'Defeatist') is a growling analogue peak time stormer, backed with 'Slump' a melancholic kraut epic described by Optimo's JD Twitch as sounding "like Chris & Cosey riding a flying hoover over the city in Blade Runner". The package features a slamming remix by Border Community's Ricardo Tobar, which has already been rocking the crowds from the record boxes of none other than BC boss James Holden and krautronica master Four Tet now for some time! Also included are two rerubs by winners of the FOEM remix competition - Soundcaster and Karizmxxxx that twist the original into exciting new shapes for diverse dancefloors.